Inside ‘The Memo’: A Glimpse Behind The Absurdist Comedy

As the holiday season approaches, the MHCC Theatre Department is wrapping up preparations for an engaging production of “The Memo,” an absurdist comedy by Václav Havel that critiques bureaucracy, communication, and the craziness of corporate life.

This play is not only a satire about the challenges of a fictional language called Ptydepe, but also a sharp commentary on how bureaucracy can dehumanize people – written by Havel, a dissident, poet and playwright who became president of Czechoslovakia, then the newly formed Czech Republic.

I had the opportunity to chat with two of the actors from the play, Joseph Sauer and Dorian Higuera, to learn more about their roles and the rehearsal process. Here’s a peek into what goes on behind the scenes.

What is The Memo About?

At its core, The Memo tells the story of Gross, a company director, who must navigate an increasingly absurd situation when he receives a memo written in a new artificial language called Ptydepe.

Created to streamline communication, the language only ends up making everything more complicated. Gross has to try to get the memo translated, but every step of the way, he encounters ridiculous layers of bureaucracy that prevent him from getting answers.

Sauer, who plays Ken Moscha, a bureaucratic figure at the company, explained that the play explores how bureaucracy can get out of hand.

“It’s an anti-authoritarian piece that shows the absurdity of overcomplicated systems,” Sauer said. “Sometimes, things get so detailed and rigid that they stop us from actually getting anything done.”

Higuera plays the lead role of Gross and shared that the play is definitely a critique of authoritarianism.

“It’s a commentary on how language can be manipulated to control people, and how bureaucratic systems can strip away the humanity of individuals,” he said.

The Challenge of Playing Absurd Characters

Both Sauer and Higuera faced unique challenges while preparing for their roles.

The latter’s character, Gross, is constantly thrown into absurd situations as he tries to make sense of the memo. The actor described the experience as both difficult and fun.

“The hardest part for me was learning to move freely on stage,” Higuera said, laughing. “I’m used to staying in one spot, but this play requires a lot of movement. It’s also my first staged reading, so there’s a bit of adjusting to do. But I’m really enjoying the process.”

Sauer, who plays Moscha, the head of the company’s translation department, says his character is a bit of a “bad guy” in the play.

“Ken is part of the system that keeps everything complicated. My character gets in the way of the main character, Gross, trying to get the memo translated,” Sauer said.. “It’s easy to find funny moments because Ken is kind of a villain in a comedic way.” Both actors mentioned that while the play is a staged reading, they are still working on blocking, costumes, and trying to make the characters feel real. Sauer noted that a lot of his preparation happens in the moment.

“The context of the scene is what helps me figure out how to play the character. I think of how to make him natural, funny, and believable in each moment,” Sauer said.

Relating to the Play’s Message

One of the things that makes The Memo so powerful is how relevant its message still feels today. Higuera said the play’s absurd critique of bureaucracy is something that many people can relate to.

“I’ve personally experienced how frustrating bureaucracy can be, especially when it comes to things like healthcare. It’s so easy to get lost in all the paperwork and red tape, just like Gross does in the play,” he said.

Sauer also sees a connection between the play and current events. “The way bureaucracy can prevent people from getting things done – whether it’s in politics, business, or just in everyday life – is something we all understand,” he said.

Memorable Moments from Rehearsals

Despite the serious themes, rehearsals have been full of laughter and surprises. The actors recalled moments that brought the cast closer together.

One particularly funny moment happened during a scene where Higuera’s character, Gross, is trying to get the memo translated. “I was so unprepared for a line, I just blurted out a very abrupt ‘F***!’ It caught everyone off guard and made the whole cast crack up. We all had to take a moment to recover before we could continue,” he said.

Sauer also experienced some lighthearted moments.

“The rehearsals have been a lot of fun,” he said. “We have a great cast, and our director, Zach Hartley, has done an amazing job guiding us. It’s a real team effort, and I think it’s making the play even more enjoyable.”

A Personal Connection to Theatre For Higuera, The Memo is a return to theatre, after several years away.

“I stopped doing theatre for a while because of the bigotry and favoritism I faced in the industry,” he shared. “But this production has been a breath of fresh air. I’m working with a cast and crew that’s so welcoming and supportive. It’s been a huge personal victory for me to get a role like this.”

Sauer echoed Dorian’s sentiments, emphasizing how important it is to work in an environment where everyone feels respected. “The cast really supports each other, and that’s what makes this experience so special,” he said.

Why You Should See The Memo

With its sharp satire, witty dialogue, and absurd situations, the play is more than just a comedy, it’s a critique of systems that try to control communication and make life more difficult for people. Both actors are excited for the audience to experience the humor and the message.

“I hope people enjoy the show and laugh, but I also want them to think about the systems we live in and how they affect our daily lives,” said Higuera. Sauer agreed, adding, “The play is funny, but it also has something important to say about bureaucracy and authority. It’s definitely worth seeing.”

Dina Ibrahim